‘Reinventing the fringe’ is a critical reconsideration of post-war urban areas on the fringe of nine European cities, viewed from the perspectives of sustainability, social cohesiveness, mobility and land use.

In this review, Yushi Uehara describes the Volume Studies project by LOG/OUT magazine, reflecting upon what Volume means for the Japanese architectural scene and more in general trying to map the influence of the 'superdutch' experience in Japanese architecture at large.

  Jaap Bakema and the Open Society is the first extensive book publication on the Dutch architect Jaap Bakema, his ideas and ideals for society at large. Throughout the post-WWII decades Bakema was inspired to build for a democratic and open society. His body of work, his teaching and writing, and his international presence are testimony to the vicissitudes of the welfare state and the roles played by architecture and planning in its construction.

Souvenirs: New NewYork Icons, the second iteration of Storefront’s model show, commissions 59+ objects that redefine New York’s iconic imagery. Tuesday November 28, the show was the stage for lectures and debate. Next to contributors Joep van Lieshout, Marga Weimans and QSpace, Volume was invited to add some thoughts and participate in the conversation following presentations.

‘Space and Time’, a duet of dimensions that brings to mind David Bowie’s epic figure Major Tom. Singing and floating in space, lost in time. “Planet Earth is blue, and there is nothing I can do.” A victim of what? His own drug use? Technology? Whatever explanation we prefer, we are gradually entering a new world of digital, or virtual reality, which is just as uncertain and fascinating. This technological revolution will also influence the architecture profession. Will it eventually render the profession completely obsolete?

People scatter heaps of data to the wind, knowingly and unknowingly, but only a few outside of tech institutions truly understand how data is being used and the simulations that it feeds. Mainly because ‘Computer Simulation’ is a tricky concept, perceived as one of two: either a practical engineering tool such as wind simulators and economic models; or as a copying tool, an agent of digital fakeness – special effects in movies, Google’s Earth and the blue-skyed images made to sell apartments before they are built.

Last year, Felix Madrazo and Adrien Ravon led the ‘Ego City’ research studio at The Why Factory at TU Delft. It was one of a series of studios that explored the themes of density and desires. Ego City focused on the individual and ways to claim and create space. In doing so, it questioned traditional methods of using design to create a better future for all and probed the viability of post-design futures.

If history is always written by the winners, then the exhortation to “make new history” means that there are battles to be fought and won for new histories to be written. The second edition of the Chicago Architectural Biennial, titled ‘Make New History’, borrowed its mantra-like title from Ed Ruscha and opened last week at the Chicago Cultural Center and venues across the city.

In a city where the roof of a building is the fifth facade for advertisement and billboards function as fences, streets and sidewalks are the places where space is negotiated by the citizens. In this speculative and subjective article, Yasmin Mardini argues that the arterial system of Cairo represents the public space where mutually exclusive localities are temporarily brought together.

GoogleUrbanism (GU) is a city management strategy making use of Google’s insatiable hunger for capitalization of ‘attention’ and quality data. Proposed by strategic urban designers/architects Nicolay Boyadjiev, Harshavardhan Bhat, Kirill Rostovsky and Andréa Savard-Beaudoin, GU intends to create a mutually beneficial relation between the commercial interests of tech companies and the city as political and social entity. In relation to Volume #50: Beyond Beyond, Denisse Vega de Santiago and Leonardo Dellanoce interviewed one of GU’s partners Nicolay Boyadjiev on the project.

Jaap Bakema and the Open Society is the first extensive book publication on the Dutch architect Jaap Bakema, his ideas and ideals for society at large. Throughout the post-WWII decades Bakema was inspired to build for a democratic and open society. His body of work, his teaching and writing, and his international presence are testimony to the vicissitudes of the welfare state and the roles played by architecture and planning in its construction.

From its inception at the dawn of the millennium (2001), Archiprix International has proved to be an adventure with enormous ambition. To collect, once every two years, the very best graduation projects from architecture, landscape architecture, and urban design schools around the world is no small feat. To comprehensively exhibit this material is also a challenge, and to create a meaningful and productive event around the award session—giving center stage to the selected graduates and their projects—is a task akin to walking a tightrope. And yet, this is what they are achieving.