Jaap Bakema and the Open Society is the first extensive book publication on the Dutch architect Jaap Bakema, his ideas and ideals for society at large. Throughout the post-WWII decades Bakema was inspired to build for a democratic and open society. His body of work, his teaching and writing, and his international presence are testimony to the vicissitudes of the welfare state and the roles played by architecture and planning in its construction.

From its inception at the dawn of the millennium (2001), Archiprix International has proved to be an adventure with enormous ambition. To collect, once every two years, the very best graduation projects from architecture, landscape architecture, and urban design schools around the world is no small feat. To comprehensively exhibit this material is also a challenge, and to create a meaningful and productive event around the award session—giving center stage to the selected graduates and their projects—is a task akin to walking a tightrope. And yet, this is what they are achieving.

Once every two years architecture schools around the world are invited to submit their single, finest graduation project to the Archiprix International competition and exhibition. Since its inception in 2001 (born out of the Dutch Archiprix), an ever increasing number of schools choose to participate. This year, Archiprix International selected Ahmedabad, in India, to exhibit the results. Volume spoke to Archiprix Director and "Mister Archiprix" Henk van der Veen.

The fourth edition of the Lisbon Architecture Triennale took place from 5 October to 12 December 2016. Chief curators Diogo Seixas Lopes and André Tavares created a program that included four exhibitions, a symposium, a series of talks and various publications under the umbrella title The Form of Form. Lilet Breddels visited the exhibitions and symposium, which clearly investigated a take on the profession of architecture as a specific type of knowledge. With the theme of Volume #50: Beyond Beyond still fresh in her mind, she asked the curators about their take on this notion of Beyond.

With Are We Human – the exhibition of the 2016 Istanbul Design Biennial – curators Beatriz Colomina and Mark Wigley are researching the very notion of ‘design’. Their historic, cultural and conceptual exploration attempts to unravel the various programs and ambitions behind a (mainly) market driven inventiveness, which is presented as progress. This is pushing the notion of design and the biennale as a format beyond their established definitions. Beatriz Colomina and Mark Wigley interviewed by Arjen Oosterman.

As introduction to the Total Space insert in Volume 50, Dirk van den Heuvel links (Dutch) Structuralism to current day developments, more specifically in the digital realm. Total Space is an ongoing research project of the Jaap Bakema Study Centre*, that’ll produce program and public presentation at Het Nieuwe Instituut in the coming years.

In a certain sense, looking at the beyond is something that we cannot do today, other than from the vantage point of a beyond the ‘beyond’. Looking at the connections between progressive political movements and planning/building practices in modernity and their ways of departing into ever new ‘beyonds’, beyond the boundaries of historically given urban and social formations – today, we are certainly beyond these dynamics.

In collaboration with Volume, KU Leuven's Faculty of Architecture, campus Sint-Lucas Ghent/Brussels, selected recent graduate projects and reflected on the underlying ambitions of the school. The result is ‘Doing It the Belgian Way’, one of the two inserts in Volume 50. The insert presents three perspectives: Embracing Complexity, Embedding in the Local, and Un/Re-Learning. The following text is the introduction to this third chapter.

Denisse Vega de Santiago read all 49 issues to date and selected quotes that shed light on how ‘beyond’ was perceived, appreciated and defined by Volume’s contributors.

Kai Vöckler/Archis Interventions participates in a research project focusing on the material legacy of the former Soviet Union in the former soviet States in Eastern Europe.

Design is, by definition, inhuman. We humans design, yet we do not, cannot really, at least not yet, design humans. Yet the boundaries of contemporary design increasingly encroach upon the real. The design of fleshy bodies, genetics, entire species, landscapes, territories, and even planets are becoming no longer mere fantasies. But do we really know how to design, to think, to be creative, to be careful, to be responsible, to be innovative, to be progressive both at and between such scales?

The data-saturated environment we live in today was already there almost half a century ago; it’s just that the nature of data has changed. Data used to be much more spatial, more architectonic, and the means of locating oneself in, and navigating through, such a space could be revealed by architectural theory and critique. With data only penetrating deeper into our cognitive realm by the day, what is there for architecture to say?

To see housing as a fundamental human right is a relatively new concept with consequences for law, justice and politics. In issue 46: Shelter, Volume published Abla el Bahrawy’s quick scan of the first formulation of this universal right and its further development into an action agenda in consecutive UN-Habitat conferences to promote and secure this right globally.

Machines need to learn to be able to act on their own. It's a debatable question whether we want, or need, machines to do so, but the trend toward automation, is undeniable. Autonomous machines are being trusted with increasing responsibility in maintaining and providing for contemporary society, and we are finally finding out what happens to the human after the machines take over.

The 7th of October means the very last event of Palace Ruin! Good riddance! Together with Petra Heck of TAAK, James Beckett will reflect on the nature and intent of the project, and the elaborate architecture and music programmes. This is followed by a panel discussion led by Arjen Oosterman, based on the theme 'Zuidas Futures’. Referring to possible outcomes of this district, this debate is to be constructed by a panel of contrasts - exploring scenarios that are advocated by differing parties.

The concept of the ‘tipping point’ is a properly Cartesian understanding of history. It not only presumes that there is such a thing as ‘before’ and ‘after’, but also that we will be able to recognize and identify its difference to a single moment in time. This used to work, when historical events were things like wars, and we could organize our collective energies to effect the course of history. But now that events take place at the speed of light and even at a quantum level, how can we know when we’re already past where?

With the rise of computational networks and power, cognitive models developed and debated over in the postwar decades have finally been able to be put to work. Back then, there was a philosophical debate raging alongside the burgeoning field of computer science theory on the nature of consciousness. Yet with the proliferation of data and the centralization of its archives, theoretical practice moved from conceptual experiments to empirical tests.