As you may know, our exhibition The Good Cause is on show until 1st June at Stroom The Hague. Earlier this month, ArchiNed, one of the Netherlands's major architecture websites, published quite a positive review about the exhibition.

This spring Stroom will be hosting a side program accompanying The Good Cause, that consists of a number of tours, a congress, an Archis RSVP Event and a number of expeditions. Most of the events are free of charge.

Shenzhen is currently upgrading its industry; this results in empty factory buildings and huge demographic changes within the migrant population. It also implies a transition from a blue-collar to a white-collar society. Shenzhen’s economic success is based on cheap labor. Nonetheless, blue-collar migrants are considered to be both problematic and vulnerable. But do we really understand and appreciate the economic and social value of the current generation of migrants in Shenzhen? ‘Da Lang Fever’ is a story about the potential of a self-organizing migrant society in the neighborhood Da Lang. It showcases the empowering nature of bottom-up activities for migrant workers.

According to official statistics China's urbanization rate was 52.57 percent in 2012, but according to China's Hukou system this number nowadays is still below 35 percent! The discrepancy is caused by at least 250,000,000 peasants without urban Hukou status living in urban areas, the so-called floating population. Without urban Hukou they cannot equally benefit from urban amenities such as education, employment, medical care, retirement programs, affordable housing, and other basic public services. In fact these urban-based peasants are excluded from living a complete urban lifestyle. Although China sees it as its primary task "to civilize the whole nation by turning its agricultural population into orderly citizens", urbanization seems mainly used as an engine to stimulate economic growth. An essential tool to guide urbanization is the process of converting rural Hukous into urban Hukous. However, this process is complex, and receives loads of critique, nationally and internationally. There seems to be no easy solution, especially since economic forces are overruling the people's quality of life.

It’s rare that a city’s birth certificate survives, but here it is: a map of Hong Kong full of marks and notes. It is an intriguing document, but our attention should go to the upper left corner, where in the ‘white space’ of mainland China the Shekou peninsula is encircled as the new harbor and industrial location of what was to become the Shenzhen Special Economic Zone; conveniently situated and easy to control. The map with personal marks and handwritten notes makes history tangible. It all started with an idea and a location.

There is an intimate relation between conflict and change. Archis’ Architecture of Peace research suggests that the ambition to create a better society on the ruins of the past comes with unforeseen effects, creating situations that are disrupting in many ways. The story of ‘the West’ coming to rescue and help other cultures isn’t positive throughout. It seems that we’re still stuck in concepts that already during WWII manifested as guiding principles. A book on the planning history during that period sheds (a relative) new light on the matter.

The transformation of Melbourne has been dramatic. In the space of thirty years its dull city core metamorphosed into a lively center through a unique set of circumstances, including strong urban planning policies and the liberalization of liquor laws. Timothy Moore speaks with architect and urban designer Craig Allchin about the city’s recent history and how the confluence of law, planning, and activism provided a matrix with which to model urbanism.

Professionals and students in architecture and related fields are eligible to participate in Think Space's 2013/2014 MONEY cycle. Think Spaces promotes and welcomes interdisciplinary approaches and whoever feels capable of submitting the entry that complies with the competition requirements is eligible to apply.

Belgrade became famous in architectural circles in the 1990s for its ‘wildness’; its seemingly spontaneous and unruled spatial practices that at first glance appeared to be a product of a complete ignorance of existing laws. A longer gaze uncovers that the legal-illegal dichotomy in Belgrade was not so simple, and that, behind an exuberant form, the processes that made Belgrade seem wild, have much more to do with the re-regulation of laws, than with their disappearance.