Volume Bootleg Edition by C-Lab for Urban China As the second installment in an ongoing editorial project between Urban China and Volume, we have produced this limited edition publication on the occasion of the exhibition Informal Cities at the New Museum. Inspired by the unofficial compilations sold by fans at music concerts, we offer a bootleg issue of Urban China. The bootleg is a DIY format for assembling and disseminating work within a circle of hardcore fans, typically consisting of live work recorded, sequenced and edited by the concertgoer. Unlike a pirated copy or fake which tries to assume the identity of an authorized product and is motivated by a desire for profit, a bootleg announces itself as an improvised, illegitimate work and is largely motivated by a wish to share. Given the urgency of the topic, C-Lab has borrowed the bootleg format to quickly distribute observations, initiated in dialogue with Urban China, on the crisis and its management.

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